If we take a scientific approach, her character titled songs like ' Carmen', 'Million Dollar Man' and ' Sad Girl' all have one thing in common classic stripper-esque instrumentals with lyrics about self-destruction and sex appeal that makes you feel kind of gross if you think about them too long. This has to be sexy, right? Only Lana Del Rey can take a song title that screams Karen-Flavoured Catholic guilt and turn it into a thirst track. She sings about moon signs and wraps it all up with a cinematic echoing drum solo, so I think this is a signal to get your pearls out and revival what’s left over your 2014 Ultraviolence angst. 'Chemtrails Over The Country Club' is super lyric heavy, like the majority of her last album, but returns to the hyper-romanticised 50s imagery of her earlier releases with a 5-minute long music video full of old cars and covens. Having just released a poetry book and accompanying spoken word album, there definitely potential for some readings on this album sound tracked by stripped by piano. This track was released as I was writing my prediction and had just scribbled down ‘spoken word?’. Or, she could begin with a NFR type ballad about her recent engagement. We’ll either settle into the scene of the album with a sexy beat-heavy track, being introduced to a bored Feminine Mystique inspired housewife figure whose sick of being married and is plotting to leave her rich old husband. Lana Del Rey gives little away in latest Blue Banisters update
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